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"Duchamp had for years championed the use of “readymades”—existing objects taken from real life and modified or re-contextualized to function as works of art. The idea at hand, of art primarily as a concept rather than an object, is what would make Fountain arguably the most intellectually captivating and challenging art piece of the 20th century. What is a work of art? Who gets to decide, the artist or the critic? Can a work derive from an idea alone, or does it require the hand of a maker? These questions strike at the core of our understanding of art itself."